Final: 3D Planes Cardboard Project “Boundary”

Brainstorming for this project proved to be extremely difficult for me. I felt constrained and unimaginative, creating simple 3D geometric shapes. I tried to think “out of the box” (no pun intended) but I ended up with a bunch of cubes. I decided instead of forcing myself to think of something totally new, I would just roll with what I had and try to make a cube as interesting as possible. Soon the idea hatched to make a cube inside a cube seeming to float in mid-air. So I sketched a plan and went to work.

I wasn’t prepared for the amount of math I had set myself up for. Because I was making each edge of the square its own 3 dimensional rectangle, I had to make some edges shorter than others. After measuring and counting how many sizes of each side I would need for each square, I got to cutting.

Even after checking and rechecking my math, I still managed to write down the wrong number. Instead of making eight 36” boxes to fit with the four 48” boxes to create the big outer box, I accidently made eight 24” boxes. This resulted in a rectangle shape instead of the perfect cube I was going for. Instead of throwing the eight boxes out, I decided to just reduce the 48” boxes down to 36” so the 24” boxes would be the right size to complete the cube.

The next problem I faced was the paper tape I had bought. It was strong enough to bind the smaller box rectangles together, but it was not binding the individual rectangles together to create the entire box. I ended up using almost an entire roll of masking tape to support the box, then covered it in paper tape. Because I am spray painting it black, I will need to cover every edge and open area with tape.

For my last few steps, I need to cover both cubes with the spray paint as well as hang the smaller cube within the bigger cube using clear fishing line I bought.

My original idea was to hang this entire piece from the ceiling to give the whole thing a really weightless feel to go along with the floating cube on the inside, but my plan B is to find a nice, elevated spot outside where  people can get a good view of the floating cube inside of it.

 

My piece is titled Boundaries. According to the Merriam-Webster online dictionary, boundary is defined by the following:

bound·ary

noun \ˈbau̇n-d(ə-)rē\

: something (such as a river, a fence, or an imaginary line) that shows where an area ends and another area begins

: a point or limit that indicates where two things become different

boundaries : unofficial rules about what should not be done : limits that define acceptable behavior

I feel this piece applies to the definitions above because of the material and context within the design. Boundaries have a lot to do with area, as does planes and the use of flat cardboard. Cubes have a very defiant area, but is confused in this piece because of the inner cube. Is this piece all one cube with implied lines, or are they separate cubes? “Unofficial rules about what should and should not be done” can be applied to the concept of physics within the boundaries of the piece. It is not normal or typical behavior for something to appear to defy gravity, therefore it exceeds the boundaries of acceptable behavior.

“Boundaries”

Plaster Project: Non-representational with Void

I do not like wire. I can’t seem to get it to cooperate. I don’t know if it is because I’m not patient enough or if it because I just haven’t had much practice with it, but making a wire frame for my piece was the most difficult part. I went through several different frames to increase the size and try to adjust my techniques, but in the end… I really just prayed that the plaster would do most of the work. I guess one positive thing I could say about the wire was that it created a biomorphic, unsymmetrical kind of appearance which gave my final piece a very interesting shape. I decided my voids would be shown through the spaces between the “legs.” Though most people designed theirs to be more like a “hole” through their piece, I was thinking more about negative space and how it shapes the sculpture as a whole. Void, defined by google, is an unfulfilled space. So I also incorporated a small dip in the center of my piece to evoke the feeling of emptiness. Most people commented on how or what they would fill the space with.

Though wire doesn’t seem to be my thing, plaster was a totally different story. I loved the entire process! Learning how to make the right amount of plaster at the right consistency kept my attention and forced me to really focus on how I was going to smooth this thing out. I found a couple different strategies. First, I discovered if I started out with thin plaster, I could quickly dunk my burlap in and make a general “skin” around the wire frame. Then as it hardened, I just dove my hands into the bucket and started piling it on. After one layer of burlap and many layers of plaster, I eventually covered the entire piece. Though it wasn’t the prettiest, I at least had the entire thing molded out and covered.

My final step was to smooth it out. I knew I wanted it to be smooth, though near the end of the process I started considering other texture ideas. I used a rasp to smooth out the big chunks. After carving away at it for a while, I made my own personal plaster mixture that was SUPER thin. This filled in some of the cracks I over-grated and helped smooth out any little imperfection. After doing this about three or four times, I let my piece dry over the weekend. Then before bringing it to class, I gave it a finally sanding to get it as smooth as possible. Though there were a few spots I could have smoothed out a little more, I think my final piece was pretty good! I was really pleased with the outcome and am interested in making another! I also may try hanging it on a wall; maybe making similar pieces of different sizes and shapes and displaying them all together… like little amoebas clustered together.

[New final photo coming soon!]